Friday, November 24, 2017

Old guy, doing push-ups

Eliza turned out the room lights and switched on the spotlights. I immediately dropped to the carpet and started doing push-ups. By the fourth push-up someone knocked lightly on the door. Without missing a beat I called out “Come in.”

The door opened but I did not look up. I kept on with my slow and steady push-ups as Ari said “Old guy, doing push-ups.”

I repeated “Old guy, doing push-ups.”

For the next ten minutes Ari, and then Eliza, continued to comment on me and my push-ups. I grew exhausted and by the end I was able to do only 2 or 3 repetitions in the final minute.

A week later, I spent the entire night in the emergency room.

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Back in August it struck me hard that I used to be a person who would do adventurous things—things that scared the crap out of me and made my life exciting.  I gave myself a skydive for my eighteenth birthday during my freshman year of college.

I went to Yemen with the Peace Corps at 21.

I took a nine thousand-mile road trip around the U.S. when I got back from the Peace Corps.

I packed up my old Plymouth Valiant and moved to Maine and then to Montana on my own without knowing anyone in either place.

I got engaged after knowing Erica for just a few months.

And then we moved to Ithaca and had a child while Erica was in grad school. We counted on the income from my job as a teacher to pay our bills. Slowly, I became far less adventurous. It was not something I chose to do consciously. Over time, I self-censored my own wilder impulses.

So, back in August I decided that it had been far too long since I had scared the shit out of myself. I thought about what I could do, (short of going full mid-life-crisis and joining an ashram in India), to tap back into that part of me that likes to put myself out beyond where I feel safe and comfortable and boring. I quickly came to the idea of acting class.

Just the thought of being in front of people, exposed and alone on a stage, made me shake a little. I quickly found the Actor’s Workshop of Ithaca (AWI) and gave them a call. Before I could change my mind, I committed to the Monday-Wednesday class for the entire fall semester. And I have not regretted the decision for a single moment. I am learning a lot about acting, about auditions, and about myself. I have even gotten a leading role playing a small-town priest in a student film being shot by an Ithaca College student. I already know that I will continue with the class next semester.

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And that is how I found myself on the floor, doing push-ups and engaged in an activity called Repetition. Repetition is one of the fundamental activities in the Sanford Meisner acting technique that is the basis of classes at AWI. (I will not describe it here—you can read all about the Meisner Technique here if you wish to.) Suffice it to say that I was fully committed to doing as many push-ups as my body could in those ten minutes.

I have no idea how many I actually completed, since I was forced to interact with Ari and Eliza and therefore could not count. My arms were sore for days. And then my right arm ballooned up to a disgusting size. I was worried because that is the same arm that developed a blood clot 32 years ago and I knew the clot was still in place and my axillary vein has had a much-diminished diameter ever since.

A week after the push-ups I was getting ready for bed at 11:00 when Erica saw with alarm how big my arm had gotten. She convinced me to go to the emergency room to get it checked out. I ended up staying there until 8:30 the following morning. They drew blood twice, looked at the veins of my upper arm and shoulder with an ultrasound wand, injected me with an iodine dye, and did a CT scan of my chest, neck, and shoulders.

Long story short: my acting class activity led me to develop rhabdomylosis. The muscle fibers in my right arm were dying and releasing their contents into my bloodstream at a rate faster than my kidneys could deal with. The arm was swelling because my body was pumping the arm full of fluid to wash out the bits of dead muscle cells, but the fluid was backing up since my vein could not drain it all away.



The definitive test for rhabdomylosis is the creatin kinase test. My blood test that night showed a creatin kinase level of  3500 U/L---anything above 1000 U/L is considered a positive test for rhabdomylosis.  Normal levels are anywhere from 50 to 150 U/L. The doctor was a bit alarmed and hooked me up to an IV drip of saline solution right away and asked me to stay the night.

Four times that night I had to tell the story of how acting class gave me rhabdomylosis. The triage nurse, the night nurse, the CT scan technician, and the ER doctor all shook their heads—in judgment, disbelief, or both. My arm is better now and the rhabdomylosis has gone away. I have four weeks of classes left this semester and I am still scared every time I walk into the studio, but I know already that I will be back for more. Like they say, what doesn’t kill you makes you stronger.


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Thursday, November 23, 2017

Thanksgiving 2017

I am feeling grateful today for my family and my friends and my dogs and my life in America. But I want to acknowledge that my happiness is tainted by the headwind blowing in the faces of so many others in this country. To be grateful for what I have without recognizing the advantages I have been born into is a hollow kind of gratefulness.

I was born in 1965 in the United States to a white mother and father who were of European descent and spoke English as a first language. I am a white male. I am now 52 years old and I live in a comfortable house. My wife and I both earn a steady income. We have been able to give our daughter a life full of opportunities and plenty.

My life has been easy.

And for this I am feeling especially grateful today.

At the same time, I am feeling especially aware of the fact that my entire life I have had a tailwind helping me along.

People have not watched me carefully in stores; they have not kept an eye on me when I walked or biked through their neighborhoods; they have not clutched their bag a little tighter as I walked by; they have not wondered if I was admitted to my college or hired for my job because of my skin color; they have not refused to rent their apartments to me; they have not reached out to touch my hair uninvited; I have not had to work extra hard to put people at ease and make them understand I am not a threat.

All I have had to do is go through life being myself. Being myself is not always easy—I am a bit stunted emotionally, a bit anxious around people, a bit awkward in social situations---but being a white male American in the 1960s through the 2010s has meant that I have not had to worry about an entire layer of problems that many other people DO have to worry about.


As I said, I have had a tailwind pushing me gently forward every step of my life. It is a life I love, yet I want to live in a country where everyone has the same opportunities I have had. Sadly, that is still not the case.


Saturday, November 4, 2017

Keep that shit OFF the field

The football field is no place to make a political statement. Players on NFL teams are not paid millions of dollars so that they can protest police violence against black people in America. They should leave that shit OFF the field.

I agree with the first statement above. The football field should be a place where two teams battle it out to see who is better that particular day.

I also agree with the second statement above. Players are drafted and signed because of their skills on the field and it is their skills that earn them millions of dollars.

As far as the third statement…I would agree, with one caveat.

Players should leave that shit OFF the field--- but only to the extent that the NFL leaves that shit OFF the field, too. It is not the players who have politicized the field; it is the National Football League that has done this.

By demanding players be on the field, in a camera-ready line, for the National Anthem the League is turning the field into a place where politics happen. Just like schools cannot require students to stand and recite the Pledge of Allegiance, the League should not be allowed to require players be on the field, standing for the National Anthem. Requiring that players be present for a political activity—the playing of the Anthem—injects politics where they should not be.



And let's be real, here. The NFL uses the National Anthem as a marketing tool. In the wake of 9/11 it was a way to express their patriotism and support for a country left reeling. And the NFL is no fool--it knows that patriotism sells tickets. The League made a crass decision to use the National Anthem as a marketing tool. The League brought politics right out onto the field.

And once the League did that, the players had every right to do the same.

There is a simple solution: Stop making the playing of the National Anthem part of what players are expected to participate in. It has NOTHING to do with why they are hired and why they get paid. Why is it part of their job description? In what other area of life is the National Anthem played before you are allowed to do your job? NONE.